Divided by Borders, United by Genius: The Global Dispersal of Leonardo's Legacy and What It Costs Us
Leonardo da Vinci's paintings, notebooks, and anatomical drawings are scattered across more than thirty institutions on four continents, making a complete encounter with his genius virtually impossible for any single viewer. This fragmentation is not merely an inconvenience—it is an epistemological loss, one that scholars and digital archivists are now racing to address. What does it mean to understand a mind when its output has been divided by centuries of politics, patronage, and geography?